MEDICAL RESONANCE THERAPY MUSIC®
A diverse assortment of classical music works – under the specific scientific application of the cosmic harmony laws of the microcosm of music: from instrumental soloists concerts to large orchestral concerts for opera and symphony with great choirs and with soloists and from chamber orchestras of very different configurations up to large philharmonic orchestras.
The scientific investigations have shown,
- that it is only the conscious observance of the Cosmic Harmony Laws that plays an essential role in the performance and production of the music – and
- that the instrumental configuration do not play an essential role, and
- that the attitude of the listener towards the music is irrelevant with regard to the medical effects.
Member of the Academy of Science of the Ukraine as well as of the Academy of Science of New York is one of the leading hormone researchers of the former Soviet-Union. Since two decades he is the head of the laboratory for neurohormonal
control of reproduction at the famous research Institute for neuroendocrinology in Kiew. This Institute is also research partner of the World Health Organisation (WHO).
Professor Dr. Reznikov is author of several scientific books and a successful developer of drugs against cancer which yielded many high scientific awards and gave him an international reputation.
He is also a visiting professor at the University of Dallas in the United States and the University of Toronto in Canada.
“One must also be aware that Medical Resonance Therapy Music® by the composer Peter Hübner is the first and, to date, the only music that has been specially composed for medical purposes and which follows in its composition the natural laws of harmony of the microcosm of music.
And interestingly, with Peter Hübner’s Medical Resonance Therapy Music® the result was not dependent on the musical taste of the experimental subjects concerned. Even when they were not keen on the music, the measurable physical reactions were nevertheless positive – which confirms the resonance reinforcement of people’s inner health-promoting powers brought about by this music.”
These research results completely contradict the hypotheses of the international music therapy scene, which is not based on objective scientific measurements.
And the fact that the significant positive medical results are not achieved with conventional orchestras and performers – and even not with world-famous performers and orchestras – is due to the STRESS situation of the conventional orchestral performance, on which Peter Hübner is commenting in the context of his Beethoven project.
The neurophysiological processes only react in strengthening health significantly when they are exposed to the scientific application of the inaudible harmony laws and they damage health when they are exposed to the STRESS of the persons producing the music: through the stressed interpreter the STRESS gets incorporated into the music: whether in orchestral life recordings or also in digital studio recordings.
W. M. Orachowskij
